The ensemble of actors/singers, some of which play more than one part, is enthusiastic in its portrayal of Texan life. Marie Lemon, Ralph Prentice Danial, Dante Sterling, David Couter, Haley Jones, and Mark Fishback handle the many primarily clever songs with power and panache, and some fantastic harmonics. Set designer Christopher Ostrom has, as always, wowed the audience with his mis-en-scène—this time, a rustic Lone Star country/western interior that provides the backdrop to all the various venues and scenes. (See if you can spot the band—Nevada Lozano, Jo Miller, Robert Bekkers and Chris Cerreto—in the set’s cleverly designed pickup truck.) A shout out to costume designer Carol Sherry, who didn’t go too far over the top in creating “western” styles.

The cast of eight, backed by four excellent onstage musicians, have terrific voices, and smooth professionalism. One standout with the right Texas accent and pizzazz is ensemble member Halley Jones as both waitress, Tammy, and Mrs. Nugent’s granddaughter. Carol Sherry’s costume changes work well, delineating the multiple characters the actors play. The musical has its moments for those who find fascination in the morbid. It’s haunting in its unresolved moral dilemmas. For those put off by the macabre, be warned away. The opening night audience found many a good laugh and was not put off by the play’s morbidity; they gave it a standing ovation.